Who doesn’t love a wonder woman? “She saved the world. A lot,” a premature Buffy the Vampire Slayer tombstone once read, and the stakes are just as high for this season’s dynamic wave of fearless femmes fatales. Flying high and taking aim, they uphold a proud TV tradition of subverting gender expectations. Cross these damsels, and you’ll know distress.
Here are highlights from our latest issue, celebrating TV’s new kick-ass women:
Blindspot’s Jaimie Alexander, on her character, tattooed amnesiac (turned badass FBI operative) Jane Doe: “I’ve waited a long time for a role like this. For my particular skill set—meaning the physicality and then the emotional roller coaster these characters go on—there were no parts for me… I want to show that this [type of role] can be done with a female and that I can be equally captivating. I bust my ass every day to make sure that is on point.”
Limitless’ Jennifer Carpenter, on her character, FBI agent (and partner to drug-enhanced supergenius Brian Finch) Rebecca Harris: “A common mistake in television is that people who chase criminals always act like they’re gonna die if they don’t catch them. Sure, it’s disappointing if you don’t, but here’s the reality: Law enforcers like Rebecca go home at night and become somebody’s wife or mother, lover or friend. She’s not ruined by ambition. Competition can kill a person just as easily as a criminal can.”
Quantico’s Priyanka Chopra, on her character, FBI trainee (and suspected terrorist) Alex Parrish: “I’m a machine! I can make four movies a year. I like to work extra hard because I do love my job. To me, Quantico seems like a really long movie. The difference is that in features we do maybe two scenes a day, and now I’m doing nine! … [on the intense fight scenes]: I really enjoy it. I think God originally intended to make me a boy. I enjoy doing lots of things typically meant for a man.”
Supergirl’s Melissa Benoist, on her character, the last daughter of Krypton (and you-know-who’s cousin), Kara Danvers, aka Supergirl: “She is a beacon of hope and stands for what’s good. She truly believes in doing what’s right and helping people. And yeah, it is extremely important that she’s a female, but you’re not going to remember her for that. You’re going to remember her for her bravery and how awesome she is. I hope people are in awe of her.”
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Meet the cast of Amazon’s chilling “what-if” drama, The Man in the High Castle
Facts of Life alum Kim Fields talks about her decision to join The Real Housewives of Atlanta
Celebrating Days of Our Lives’ 50th anniversary
Plus: Gotham, Once Upon a Time, Chicago Med, General Hospital and more
Even for Supergirl, time flies when you’re having fun.
“It’s crazy. I went in for this the day after Halloween last year,” a smiling Melissa Benoist recalls of her audition for Supergirl, CBS’s bright new superhero show about the Man of Steel’s equally fortified cousin. “I thought there was no chance—I had brown hair,” and the DC Comics character is well known for her blonde locks. “I’m just a weird girl, and I think they liked that.”
It’s impossible not to like Benoist. Sitting outside her trailer on the Warner Bros. lot in Burbank, California, while she plays with her dog, Farley, the newly blonded 27-year-old Littleton, Colorado, native is as effortlessly attractive as she is approachable. Her down-to-earth vibe is refreshing and a tad startling, given her high-profile gig on one of this season’s biggest gambles. After all, Supergirl—which finally takes off on October 26—is the first comic book–based, female-driven superhero drama on television since The WB’s short-lived Birds of Prey in 2002; the character’s 1984 big-screen debut was a dud; and it’s not airing on The CW, home to DC Comics’ current TV crown jewels, Arrow and The Flash.
Thankfully, the superfriends behind those heroic hits are the ones bringing Benoist’s Kara Zor-El, last daughter of Krypton, to the airwaves. Indeed, DC Entertainment and Warner Bros. knew exactly who to ask about adapting another icon. “One of the executives mentioned the character of Supergirl,” says Greg Berlanti, teaming again with his Flash and Arrow executive producers Andrew Kreisberg and Sarah Schechter, along with Glee’s Ali Adler, one of his cohorts on the relatives-with-powers dramedy No Ordinary Family. “[But] they saw the show more as her without a cape, a teenage-girl-growing-up-on-a-farm kind of thing.” Not interested in doing Smallville: The Training-Bra Years, Berlanti and Co. pitched a more adult origin story with “the same size and scope as The Flash and Arrow but with its own adult identity. CBS loved it, and we got a show!”
Introduced in a 1959 issue of Action Comics, Kara has a backstory similar to her more famous kin. “She was 12 years old when Krypton was destroyed, and she escaped the destruction at the same time as her infant cousin,” Benoist explains. In the Supergirl premiere, she is sent to Earth by her parents, Zor-El (Robert Gant) and Alura (Laura Benanti), to watch over baby Kal-El, “but she gets stuck in space for a long time, and when she gets to Earth, he’s already matured. So she makes this decision that since Earth already has a hero, she doesn’t need to use her powers.”
Instead, Kara blends in as the adopted daughter of the Danvers (in a fun nod to the mythos, they are played by big-screen Supergirl Helen Slater and Lois & Clark’s Dean Cain), a family of scientists in the fictional and very Los Angeles–like National City. With a protective adoptive sister, Alex (Chyler Leigh), and the kind of glasses that have been known to hide secret identities, the Kara we meet in the pilot has grown up to become a sweetly nerdy assistant to media maven Cat Grant (Calista Flockhart) with undeveloped powers and no clue that her CatCo colleague Winn (Jeremy Jordan) has it bad for her.
Of course, even superheroes in denial can’t sit still when a plane carrying a loved one is about to go down, so before you can say, “It’s a bird…,” Kara takes to the friendly skies to rescue Alex. In the process, she attracts all sorts of attention—most notably from Hank Henshaw (David Harewood), head of the Department of Extra-Normal Operations, a shadowy government organization, and one James Olsen (Mehcad Brooks), who has been deployed from Metropolis by Supes himself to play Obi-Wan to the fledgling hero.
Not that she needs a man to save the day. Or a Superman. While plenty of DC characters, like Lucy Lane (Jenna Dewan-Tatum), Red Tornado (Iddo Goldberg), Maxwell Lord (Peter Facinelli) and Kryptonian villain Non (Chris Vance), are set to appear, the oft-mentioned boy scout in the sky is most definitely not one of them. “I compare him to Veep’s [unseen] president,” Berlanti jokes. “He is out there and Metropolis exists, but hopefully, people watching the series will quickly go, ‘We don’t even need him!’”
All Supergirl really needs is for viewers to see past the whole “girl” part. “Ultimately, what we want to do is appeal to everyone,” Schechter offers. “The notion that guys won’t watch girls has been completely destroyed by things like Frozen and Mad Max: Fury Road. For us, this is just a show about an incredibly interesting character going through something exceptional.”
Adler echoes that equal-rights-for-equal-flights sentiment. “The Supergirl property is the gold standard for female superheroes, but in watching the action and what Kara comes up against emotionally, you go in seeing a female superhero and you come out seeing a powerful superhero. Her gender doesn’t really matter. Ultimately, it’s just about this triumphant person.”
What did matter, however, was finding an ingenue capable of convincingly rocking a caped ensemble designed by Oscar winner Colleen Atwood (who also created the looks Stephen Amell and Grant Gustin sport on Arrow and The Flash), battling an array of aliens-of-the-week unleashed by Kara’s arrival on Earth and balancing comedy, drama, action and adorableness. For that magic combo, the producers turned to the unsung hero of DC Comics’ growing TV dynasty, casting director David Rapaport.
“We saw thousands of people, but I will say that all credit goes to David,” Schechter says of the man we have to thank for stocking The CW’s hero brigade. “He had a really good feeling about Melissa, just like he had a really good feeling about Stephen Amell and Grant Gustin.” And just like those two, Benoist—best known for her role as Glee’s sweet, shy Marley Rose—was the first to read for the role. “David actually made Melissa come back early from a trip and signed her in himself so she would be first because he knew that Greg is a little bit superstitious,” Schechter says.
“She is the female Grant,” Kreisberg adds. “Watching them on set, it’s not just the talent or how they inhabit the part; it’s their joy and enthusiasm that they get to do this, which is in a way who these characters are.”
Walking back into the soundstage to film the first scene with Jordan, Brooks and Leigh in what will become Team Supergirl’s secret CatCo control room, Benoist still seems genuinely astonished that she gets to do this for a living. “I love Kara,” she says, exuding the same sunny determination as the character. “She truly believes that she’s going to change and save the world. And I think she’s going to do it.”
Attagirl!
Supergirl premieres Monday, Oct. 26, 8:30/7:30c, CBS, then moves to Mondays, 8/7c, starting Nov. 2.
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It’s 8:35am in Los Angeles and Michael Weatherly is on the road in hot pursuit of a small sedan. The actor’s nearly 2-year-old son, Liam, has lost a toy car in the backseat, and Daddy has dutifully pulled over to find it—getting to preschool by nine, be damned! And now Liam has accidentally hit himself in the face. “Hold a diaper on it,” Weatherly advises, eliciting a fit of giggles from the toddler. “This is the full Michael Weatherly experience,” one of TV’s highest-paid stars jokes, “Now let’s talk about my experience guest starring on NCIS: Los Angeles.”
OK, let’s. Since 2003, Weatherly has played Naval Criminal Investigative Service Agent Anthony DiNozzo, a bighearted ladies’ man, brass-balled quipster and excellent dresser, on four different shows. It all began with the two-part episode of CBS’s JAG that spun off into NCIS (TV’s top-rated drama series for the last six years). In 2014, he briefly appeared on the second installment of the franchise’s newest offshoot, NCIS: New Orleans (almost entirely in a hazmat suit). Yet, it’s taken seven seasons for him to cross over to NCIS: Los Angeles. “We’ve been trying for years to find a way to get DiNozzo on the show that’s not just a cameo,” NCIS: L.A. executive producer Shane Brennan says. “We wanted Tony to really be part of the story.”
They finally figured it out. On the October 19 episode of NCIS: L.A. (10/9c, CBS), Tony hits up the West Coast bureau for help in finding an escaped money launderer (comedian Bobby Lee) running amok in the city. And, lucky for him, special agents Callen (Chris O’Donnell), Sam (LL Cool J) and Kensi (Daniela Ruah); LAPD detective Deeks (Eric Christian Olsen); tech geeks Eric (Barrett Foa) and Nell (Renée Felice Smith); and their bosses, Hetty (Linda Hunt) and Granger (Miguel Ferrer), are up for it. But Tony spends more time working with new lovers—and audience favorites—Kensi and Deeks than with anyone else.
Should Densi fans feel threatened? “DiNozzo obviously flirts with Kensi,” explains Olsen. “But he’s also kind of flirting and being competitive with Deeks, who reciprocates that flirtation and competitiveness. It’s a bizarre yet classic love triangle that’s wonderfully appropriate because Michael Weatherly is my man crush.” Speaking of man crushes, “Whether working with Michael or just hanging out with him, it’s always a great experience,” gushes LL Cool J. “He’s a funny, talented guy. That’s the homie!”
And he hasn’t even seen him with a baby. Back in the car, Liam’s toy turns up wedged between the boy and his seat—leaving Weatherly, 47, free to chat about the episode (titled “Blame It on Rio”), his time on set and what’s in store for Tony.
What’s your favorite crossover episode to date?
Dare I say that my favorite crossover episode hasn’t aired yet, and it’s called “Blame It on Rio”? [Laughs] Seriously, my favorite isn’t technically a crossover. Tom Selleck once played a very Magnum-like private detective on a few episodes of The Rockford Files. He magically knows where everything is and would just get lucky as a detective all the time. Jim Rockford [James Garner] just hated him because he was so perfect.
Do you like shooting crossovers?
They’re a peak experience for someone like me. For 13 years, besides a tiny part here and there, I’ve just been playing DiNozzo. So having other experiences with the character is super important to me. Plus, I love to see how DiNozzo travels, how he’ll be in different settings. On NCIS, he can only do so much.
What was it like to be on another set?
To be honest, I was a little nervous about going into NCIS: Los Angeles because I wasn’t sure how DiNozzo would be received—not just by the team, but by the audience. Would he mesh with them? Look, I’m the same age as LL Cool J and I think we were the oldest guys on set next to Miguel Ferrer! But that’s the funny thing. Rather than having to play a faux youth like on NCIS, I was playing a little creaky on NCIS: L.A. And I enjoyed that Eric and Daniela were all really athletic and beautiful around me. [Laughs] It was just really refreshing. I felt like “Oh, s–t, am I aging out of the game?” Which I realized is totally a DiNozzo paranoia.
What was one of your favorite things about filming the episode?
I got to work with Eric and Daniela, two people I’ve really only seen on the red carpet or watched on TV. I just had so much fun with them. They are so loose. They gel really wonderfully as a cast, and the environment is fun. Would I ever return to visit them again? Absolutely.
What’s the biggest difference between the two sets?
They’re in L.A. shooting L.A., while we’re in L.A. shooting D.C. We always have to hide the palm trees, and they are always looking to put the palm trees in the shot. I definitely had a very good time shooting L.A. for L.A.
Doesn’t DiNozzo stick out?
Oh, yeah. I’m still dressed the way DiNozzo dresses when he’s in D.C. A coat and tie—DiNozzo is a little faux GQ—seems a little more normal to East Coasters. In Los Angeles, he looks totally out of place. No one is wearing a collar on NCIS: L.A. They’re all in T-shirts or muscle shirts. [Laughs] It’s really fun to see him as a fish out of water—but one who’s swimming with very like-minded people.
It’s a bit surprising, actually, that he would let the L.A. team take the reins on the case.
Dennis Smith, who directed the episode and has done 60 episodes of NCIS, always reminds me that DiNozzo has to be two things simultaneously. On the one hand, he’s always thinking outside the box and being hilarious…to himself. But he’s also a great agent. Part of that is understanding that the other agents know the terrain. DiNozzo works smarter, not harder.
Have you ever thought about making a DiNozzo-centered spinoff?
Yes. I’ve thought about it, because it seems only natural considering the growth of the character. That could be a possible scenario in the distant future.
According to executive producer Gary Glasberg, Tony is going to have a really emotional year.
There’s somebody returning from his past. And this person is a lightning rod for DiNozzo. Their return activates a very big change in him.
Could it be Jeanne Benoit (Scottie Thompson)? Or Ziva (Cote de Pablo)?
I don’t know if he’s ready for Ziva! This person is an agent of change, but not an agent. And the truth of the matter is that the show was devised so that all these characters are married to their job. DiNozzo has struggled over the years to try to mature and share his life with somebody else. And now his life is shifting because Jeanne is back. It’s really a case of: Has the plant gotten too big for the pot? Is it time to repot DiNozzo? That’s one of the reasons I was so excited to go to NCIS: L.A.
Wait, does this “change” mean we can look forward to some baby DiNozzos?
[Laughs] Look, we tease a lot of things, but I can say with a hundred percent certainty that some minds are going to be blown by what happens, and it’s going to affect some of the fundamental aspects of the show. That’s going to be fascinating to watch. This isn’t some fake press release advertising “a year of change.” This is truly going to be a challenge for the audience. But right now I can’t find my son’s other shoe!
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Halloween Preview: sneak peeks at spooky episodes of Bones, The Vampire Diaries, The Simpsons and more
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It’s party time on the set of Grandfathered, but the kids aren’t all right. Dozens of pint-size extras are supposed to crowd the dance floor of Jimmy’s, a swanky, upscale Los Angeles restaurant owned by perpetual bachelor Jimmy Martino (John Stamos) as he throws an impromptu birthday bash for his 2-year-old granddaughter, Edie (played by twins Layla and Emelia Golfieri). Former Bon Jovi guitarist Richie Sambora takes the stage to provide the soundtrack for the celebration, and everything seems to be going off without a hitch until the children scatter at the sight of Stamos attempting to push his way through the tiny dance mob.
“I’m trying to go through them, but they run when they see me,” Stamos explains to creator and executive producer Daniel Chun (The Office). As the cameramen reset, Stamos corrals the kids in the middle of the room, kneels down and flashes his blinding white smile. “Guys, nobody is attacking me,” the actor directs them in a friendly, singsong voice. “You’ve got to karate chop me!”
The children take his advice to heart, and on the next take, they swarm the leading man, hitting and kicking him as he delivers his lines. Suddenly, one overzealous boy latches himself onto Stamos’s upper thigh, which elicits a quick-thinking moment of improv from the actor. “Hey, watch the cannolis!” Stamos says with a laugh.
It’s been 20 years since Stamos last made family-friendly television magic as the Elvis-obsessed, leather-clad Uncle Jesse Katsopolis on ABC’s long-running Full House. This fall, the 52-year-old is hoping to re-create that success with Grandfathered, which finds his perennially single character learning he not only has a grown son named Gerald (Drake & Josh’s Josh Peck) but also a granddaughter in little Edie. “This is literally the show I’ve been waiting 10 years for,” says Stamos, who also serves as executive producer. “It’s a continuation of what I think I’ve done well on TV: a show that has heart, is about family and has relatable themes.”
Stamos began his television career in 1982 as troubled musician Blackie Parrish on the ABC soap General Hospital before landing his Full House gig in 1987. After eight seasons on the show that jump-started the TGIF brand, he made the leap to Broadway with runs in revivals of How to Succeed in Business Without Really Trying and Cabaret before returning to the small screen in 2005 for a series-regular role on the final four seasons of NBC’s ER. “He’s been so famous for so long that he should be a jerk, an animal or a monster,” says Criminal Minds vet Paget Brewster, who plays Jimmy’s ex-girlfriend and Gerald’s mom, Sara. “I was not signing on to do a show with a creep, so I asked everyone I knew who knew him, and they all said, ‘That guy is solid.’”
“John is definitely a kid at heart,” adds Fox Television Group chairman and CEO Dana Walden. “He has a lot of chemistry with the [twins] on Grandfathered and the relationship that’s developing feels very authentic. His kindness can charm a baby.”
Well, not always. Even though Stamos is No. 1 on the call sheet, it’s apparent his toddler costars rule the Grandfathered set. The Golfieri twins have two miniature director’s chairs of their own behind the monitors, and the transportation vans that shuttle the actors back and forth from the stage to their trailers are outfitted with two cushy car seats. And when the cameras roll, the old entertainment-industry adage warning against working with children and animals has never seemed more relevant. Stamos notes that the twins did a lot of “crying and screaming” during the filming of the pilot, especially in an important scene in which Edie plants a kiss on Jimmy after a tough night of babysitting. “[Producers] were like, ‘We’re just going to change it to where Edie is crying.’” explains Stamos, who worked with the Olsen twins when they were tots on Full House. “And I said, ‘No, no, no. The kiss makes it. I’m not going to finish the show until we have this shot. We finally got it in the second-to-last take because they slowly got used to me, but it was a brief moment, because she screamed her head off right after. It might have been my breath, I’m not sure.”
Luckily, the twins are not Stamos’s only scene partners. Grandfathered focuses heavily on the father-son relationship between Jimmy and Gerald. Over the course of the first season, Jimmy will take his socially awkward son under his wing to try to up his game with the ladies, particularly former fling and Edie’s mom, Vanessa (Christina Milian), who sees Gerald as just a friend now. “He’s allowing Gerald to come out of his shell more and not be so awkward or afraid of the world,” Peck says. “And Jimmy’s starting to appreciate the idea that he has perhaps missed a big part of what life’s about, which is family, kids and the joy that comes with them.”
Much like Jimmy, Stamos admits he’s still searching for a deep, meaningful connection with a significant other. “Something is missing in his life that could be a parallel with mine,” says the actor, who was married to Rebecca Romijn for seven years until their divorce in 2004. “When I was a kid, I made a list of all the things I wanted to accomplish, and I’ve crossed off every one of them 10 times except for having a family. So to explore what that’s all about on TV and see if it works—if it does work—I’ll do it in real life.”
He’ll have more than enough to draw on, because when it comes to TV families, Stamos is currently hitting the jackpot twice over. While Grandfathered readies its debut season, Stamos is also hard at work on the Full House reboot for Netflix, titled Fuller House, which is slated to premiere in spring 2016. “There were so many years where I really didn’t want to say those two words,” Stamos admits. “Not that I didn’t love it, but I had to get away from it.” It’s clear how much he’s come around on the idea now, though: He’s executive producing the new series and will appear in at least two episodes as Uncle Jesse.
Stamos, who partnered with original Full House creator Jeff Franklin for the reboot, says the new series just “fell into place” over the last year, with the main storyline centered around original daughters D.J. (Candace Cameron Bure) and Stephanie Tanner (Jodie Sweetin). “The first taping was explosive—people just loved it,” Stamos says. “I had saved my old wardrobe, so I wore all the leather jackets. It was a bit of a trip.”
Stamos also enlisted his Full House cast mate Bob Saget for a cameo appearance in the Grandfathered pilot—as a frustrated diner at Jimmy’s restaurant. Other guest stars in the premiere include former NFL star Deion Sanders, comic legend Don Rickles and rapper Lil Wayne, whom Stamos lovingly dubs “the holy trinity” for posing together in Jimmy’s epic selfie. Throw in a musical homage from Stamos’s other pals the Beach Boys and the Grandfathered pilot boasts a varied cross section of Stamos’s real-life influences and friends. “Years ago, you wanted to stay away from everything that was relatable to you, but now it doesn’t matter,” he says. “There’s no pedestal anymore. You can’t take yourself too seriously, and that’s what this character is. I’m a bit of a fool, so I just play to that.”
